Journal of Language and Pragmatics Studies
https://jurnal.ympn2.or.id/index.php/JLPS
<div class="jsatu" style="width: 100%;"> <p style="font-size: 18px; text-align: justify;"><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;"><strong>Journal of Language and Pragmatics Studies (JLPS), </strong>e-ISSN <a href="https://portal.issn.org/resource/ISSN/2985-6051">2985-6051</a> (<a href="https://hajrabali.wordpress.com/2023/02/20/sk-issn-journal-of-language-and-pragmatics-studies/">SK Nomor: 29856051/II.7.4/SK.ISSN/02/202</a>3, tertanggal 17 Februari 2023) </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">is a peer reviewed an interdisciplinary journal of language and pragmatics studies published three times a year in April, August, and December. The journal focuses on socio cultural contexts in Language and Pragmatics, Discourse Analysis and Critical Discourse Analysis, Book Reviews etc. The journal aims to provide a venue for language and pragmatics researchers to share theories and views in this area.</span></p> <p style="font-size: 18px; text-align: justify;"><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">The Studies in Language and Pragmatics is dedicated to publishing innovative, authoritative monographs and edited collections from all micro-, macro- and meta-pragmatic linguistic perspectives.<br />Rooted in the interdisciplinary spirit of the Journal of Language and Pragmatics, it welcomes not only book proposals from linguistics proper but also pragmatically-oriented proposals from neighboring disciplines such as interactional sociology, language philosophy, communication science, social psychology, cognitive science, and information science.<br />The goal of the series is to provide a widely read and respected international forum for high quality theoretical, analytical, and applied linguistics and pragmatics studies of all types. By publishing leading edge work on natural language practice, it seeks to extend our growing knowledge of the forms, functions, and foundations of human interaction.</span></p> <p style="font-size: 18px; font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif; text-align: justify;">Research papers and critical thinking on the following fields are welcome.</p> <p style="font-size: 18px; font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif; text-align: justify;"><strong>Micro-Linguistics:</strong></p> <p style="font-size: 18px; font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif; text-align: justify;"><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Phonology; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Phonetics; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Morphology; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Semantics; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Translation; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Syntax.</span></p> <p style="font-size: 18px; font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif; text-align: justify;"><strong>Applied Linguistics & Macro-linguistics:</strong></p> <p style="font-size: 18px; font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif; text-align: justify;"><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Sociolinguistics; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Language and Culture; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Language and Power; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Psycholinguistics; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Language Testing; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Language Teaching and Learning; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Language Acquisition; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Ethnolinguistics; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Discourse Analysis; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Language and Communication; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Cognitive Linguistics; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Sign Language; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Forensic Linguistics; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Indonesian for Foreign Speakers (BIPA); </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">First Language Acquisition; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Second Language Acquisition; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Curriculum Development; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Language Planning; </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Language and Other Sciences (Social Politics, Legal Culture); </span><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Review (book review, film review, IT App review etc.).<br /><br /><strong>Journal of Language and Pragmatics Studies (JLPS) </strong>in collaboration with <strong><a href="https://hajrabali.wordpress.com/wp-content/uploads/2024/10/mou-jlps-2024.pdf">Asosiasi Peneliti Bahasa, Sosial, dan Budaya (APBSB)</a>. </strong></span></p> <p style="font-size: 18px; font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif; text-align: justify;"><a href="https://hajrabali.wordpress.com/wp-content/uploads/2024/10/mou-jlps-2024.pdf"><span style="font-family: 'Noto Sans', 'Noto Kufi Arabic', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;"><strong>MOU JLPS & APBSB</strong></span></a></p> </div>en-USjlps@ympn2.or.id (Bambang Wibisono)admin@ympn2.or.id (Budi Susanto )Fri, 05 Dec 2025 17:00:45 +0700OJS 3.3.0.13http://blogs.law.harvard.edu/tech/rss60 Politeness strategies and power relations in Zendaya and Nicole Kidman youtube channel interviews
https://jurnal.ympn2.or.id/index.php/JLPS/article/view/134
<p>This research was conducted to examine the politeness strategies and power relations found in the “Actors on Actors” interview between Zendaya and Nicole Kidman on the Variety YouTube channel. The analysis was based on Brown and Levinson’s (1987) politeness strategies theory and Brown and Gilman’s (1960) power and solidarity theory. The objectives of the study were: (1) To identify the politeness strategies employed by Zendaya and Nicole Kidman in interviews on the Variety YouTube channel (2) To analyze how the power relations influenced politeness strategies in interviews with Zendaya and Nicole Kidman on the Variety YouTube channel. A qualitative method was applied, with data collected through purposive sampling. A total of 47 politeness strategies were identified in the interview between Nicole Kidman and Zendaya. Positive politeness appeared most frequently (34 times), followed by negative politeness (7), bald on-record (4), and off-record strategies (2), with no instances of don’t do the FTA. The dominance of positive politeness indicates that the interaction is primarily characterized by solidarity, warmth, and mutual respect. Despite differences in age and experience, both speakers maintained an equal and friendly atmosphere. Their shared identity as professional actors enabled them to connect through a mutual understanding of the industry, the artistic process, and the emotional demands of their work, which in turn strengthened the solidarity expressed throughout the interaction.</p>Daniah Farah, Hilmi Akmal, Muhammad Agus Suriadi
Copyright (c) 2025 Daniah Farah, Hilmi Akmal, Muhammad Agus Suriadi
https://creativecommons.org/licenses/by-nc-nd/4.0
https://jurnal.ympn2.or.id/index.php/JLPS/article/view/134Fri, 05 Dec 2025 00:00:00 +0700The pragmatics of celebrity fan wars: A case study of Wizkid and Davido fans on X
https://jurnal.ympn2.or.id/index.php/JLPS/article/view/143
<p>Celebrity rivalry refers to a situation in which two or more well-known public figures, typically from the entertainment, sports, or fashion industries, are perceived to be in conflict or competition with one another. Even though scholars have explored the celebrity rivalry between Wizkid and Davido, studies on the rivalry among their fans remain underexplored. Thus, from a qualitative research perspective, this study is a pragma-discursive analysis of the online interactions between the fans of Wizkid known as (FC) and fans of Davido known as (30BG). The data were examined using Henry Jenkins (1992) Fandom theory. Findings show that fans of both artists deploy impoliteness to foreground their celebrity’s industry, how their fans project the industry’s success over the other artist and financial supremacy over the other celebrity, and how their favorite celebrity is projected as richer than the other celebrity. Further studies can be done on comparing artists of different countries.</p>David Oluwatobi Esuola, Tayo Adebayo, Temitope Michael Ajayi
Copyright (c) 2025 David Oluwatobi Esuola, Tayo Adebayo
https://creativecommons.org/licenses/by-nc-nd/4.0
https://jurnal.ympn2.or.id/index.php/JLPS/article/view/143Fri, 05 Dec 2025 00:00:00 +0700Language in conflict debates: Impoliteness strategies in the open to debate youtube channel ‘were Israel’s actions in the Gaza war justified?’
https://jurnal.ympn2.or.id/index.php/JLPS/article/view/136
<p>This study analyzes the strategies of impoliteness in the debate ‘Were Israel’s Actions in the Gaza War Justified?’ on the Open to Debate YouTube channel. Using Jonathan Culpeper’s theory of impoliteness, this research aims to identify and analyze the impoliteness strategies employed by speakers and their functions in the context of conflict debates. This qualitative study utilizes documentation techniques and data cards to collect and analyze data. The results show that there are 4 instances of bald on record, 2 instances of sarcasm or mock politeness, and 1 instance of negative impoliteness, and 1 instance of positive impoliteness. Further analysis reveals that these impoliteness strategies can be categorized into two primary functions: coercive impoliteness (pressuring the opponent) and affective impoliteness (expressing strong emotions). This study also demonstrates that impoliteness in debates about conflict does not only carry negative connotations, but also can serve as a form of strong concern for defending humanity and as an effort to voice concerns for the conflict resolution. In conclusion, this study shows that the three speakers (Eylon Levy and Mehdi Hasan) employ impoliteness strategies with different objectives: Eylon Levy tends to prioritize Israel’s security, while Mehdi Hasan uses impoliteness to defend all victims, both in Palestine and Israel, and to support conflict resolution.</p>Intan Nur'aini, Hilmi Akmal
Copyright (c) 2025 Intan Nur'aini, Hilmi Akmal
https://creativecommons.org/licenses/by-nc-nd/4.0
https://jurnal.ympn2.or.id/index.php/JLPS/article/view/136Fri, 05 Dec 2025 00:00:00 +0700Understanding EFL learners’ academic writing problems and the benefits of artificial intelligence tools: A descriptive review
https://jurnal.ympn2.or.id/index.php/JLPS/article/view/141
<p>Artificial Intelligence (AI) today represents not only technological advancement but also a powerful tool that is rapidly transforming the process of learning English. EFL learners increasingly use AI-based applications to enhance their language skills and academic writing performance. This study aims to identify the major challenges EFL learners face in academic writing and to highlight the significance of AI tools in addressing these issues. A qualitative descriptive review was conducted to achieve the study objectives. Relevant literature published over the last ten years was selected from open-access sources and academic databases. The findings indicate that learners encounter persistent problems in grammar, punctuation, coherence, and the organization of ideas. The review also shows that AI tools play a supportive role in helping learners improve their grammatical accuracy, expand their vocabulary, and develop better writing structure and coherence.</p>Zanyar Nathir Ghafar, Bareq Raad Raheem
Copyright (c) 2025 Zanyar Nathir Ghafar, Bareq Raad Raheem
https://creativecommons.org/licenses/by-nc-nd/4.0
https://jurnal.ympn2.or.id/index.php/JLPS/article/view/141Fri, 05 Dec 2025 00:00:00 +0700Enhancing English proficiency enjoyably: Improving language skills through watching engaging and educational English movies
https://jurnal.ympn2.or.id/index.php/JLPS/article/view/79
<p>The purpose of this paper is to explain the benefits of watching English movies as an effective way to improve language skills. This method offers learners a practical and enjoyable way to enhance their English proficiency, including listening, speaking, vocabulary, and pronunciation. Watching movies allows learners to experience real conversations, different accents, and the correct use of English in daily life, making learning more meaningful and engaging. Using subtitles can help learners connect spoken words with their written forms. Beginners can start with subtitles in their native language and gradually switch to English subtitles to improve grammar and vocabulary. Movies with different accents, like American, British, or Australian, also help learners understand various ways of speaking English. Research supports the benefits of watching English movies for language learning. Studies show that movies help learners understand words in context, improve listening skills, and learn proper pronunciation. Repeating scenes, writing down new vocabulary, and practicing speaking based on movies enhance retention and usage. Moreover, movies introduce learners to different cultures, making learning more interesting and informative. This method is suitable for learners at all levels. Beginners can watch simple movies like animations, while advanced learners can explore movies with more complex dialogues. Rewatching movies helps learners notice new details, such as sentence structures and pronunciation, that they might have missed before. Discussing movies with others is also a fun way to practice speaking and critical thinking. In conclusion, watching English movies combines education and entertainment, providing learners with an enjoyable way to improve their English skills. It motivates learners, helps them understand authentic language use, and enriches their cultural knowledge, making it a valuable tool for language learning.</p>Ni Wayan Ratna Wulandari, Nazula Silma, Edona Jahiu, Nadia Idri, Rodolfo P. Dizon Jr, Md. Kamrul Hasan
Copyright (c) 2025 Ni Wayan Ratna Wulandari, Nazula Silma, Edona Jahiu, Nadia Idri, Rodolfo P. Dizon Jr, Md. Kamrul Hasan
https://creativecommons.org/licenses/by-nc-nd/4.0
https://jurnal.ympn2.or.id/index.php/JLPS/article/view/79Fri, 05 Dec 2025 00:00:00 +0700Symbolic power in caricature of Nigerian academia in selected videos of Sagacious Prof
https://jurnal.ympn2.or.id/index.php/JLPS/article/view/142
<p>Caricature, often visual, involves exaggerations for satirical, critical, or comic effect. Scholarly probes on caricature have focused on political and legal contexts with less attention to academia. Particularly, there is a dearth of symbolic power studies detailing the power relations between participants in Nigerian academia. The present study, therefore, explores how Facebook content creator, <em>Sagacious Prof</em>, depicts systemic issues in academia, with reference to the Nigerian context, examining how academics deploy linguistic choices to negotiate unethical goals in student-lecturer interactions. Adopting a qualitative approach, the study analysed ten purposively sampled videos of <em>Sagacious Prof</em>, whose content primarily depicts activities within the Nigerian academic context. The data analysis is guided by Norman Fairclough’s (1995) Critical Discourse Analysis. The findings showcased two negative systemic issues in Nigerian academia: transactional grading and transactional sex. By implication, Nigerian academics are largely constructed as being unethical in their engagements with students in the skits of <em>Sagacious Prof</em>.</p>Temitope Michael Ajayi, Tayo Adebayo, David Oluwatobi Esuola
Copyright (c) 2025 Temitope Michael Ajayi, 'Tayo Adebayo, David Oluwatobi Esuola
https://creativecommons.org/licenses/by-nc-nd/4.0
https://jurnal.ympn2.or.id/index.php/JLPS/article/view/142Fri, 05 Dec 2025 00:00:00 +0700